Here's another painting done over a spoilt canvas. I'm learning not to throw anything away, especially anything with good impasto! In this image it seems to be both sunning and raining, and that is at odds with the extremely non-atmosphereic handling of the landscape itself. Diagonals seem to create depth, but the colour and uniform tones force the planes back into two-dimensional alignment. The tops of the poles (conveniently aligned with the underlying impasto) travel across depth and into the ditch shadow at far left, but the shadow on the road shoots the eye back into the center of the painting, up the road sign and back up into the sky. the whole thing would start to shudder apart like an unbalanced motor were it not for the very strong structure of parallel lines. But the square formed by the two closest poles, the road shadow and the incline of the road grade is tilted and offset, further contributing to the elliptical movement. Only the horizontals in the earth and sky provide some stability.
Great cities are often built on ruins. It's often the successive layers that make them so interesting.
Couldn't quite get the colour right in the photo--it's a lot fresher feeling real-time. But this gives you a taste, anyway.
Working on a cool project with good friend of mine--designing his tattoo! Will post pixs as it develops. Just enjoying some time off here, too, after working 7 days a week for a couple of months.
Gotta get some painting done here before 2:00 so should go do that.